Dichotomy 22: Creep

CREEP denotes stealth, slow contortment, an underlying feeling of unease. Creep is solid materials deforming, boundaries slinking toward each other, something inching slowly closer without notice. Creep causes us discomfort while simultaneously suggesting something darkly different, something not altogether bad, but frightening in its furtiveness. Dichotomy 22 aims to explore this dark underside of the urban, the lurking possibility of architecture, the slow inevitable crawl of progress.

Robert Schmidt III: ACCELERATED CREEP(ING)

Ivo Pekec and Fereshteh Assaczadeh Sheikhjani: SUBERSIVE TEHRAN

Charles Vega: THE FLEETING THOUGHTS OF WILDNESS

Toshiki Hirano: INTERVIEW WITH JESSE REISER AND NANAKO UMEMOTO

Thomas Gaudin: MEDITATIONS ON PROGRAMMED DETERIORATION

Paul Golisz: THIS LAND IS NOT YOUR LAND

Dan Kinkead: IMPERCEPTIBILITY AND THE ARCHITECTURAL PROCESS OF RECOVERY

Sensual City Studio: WALKING THE CREEP AWAY: A FEW STEPS TOWARDS FAMILIAR SHANGHI

Florence Twu: SLOUCHING TOWARDS […]

Ashley Ball: PUBLIC TOILETS IN THE CITY OF LONDON: THE UNSEEN PUBLIC SPACE: A DARKSIDE BENEATH THE EVERYDAY STREET

Erin Kelly: ASK THE NEIGHBORS

Ross T. Smith: STAINS OF BEAUTY

Kristen Gallerneaux: AND NOW WE SEE THAT WE ARE STARS: NOTES ON PAOLO SOLERI IN AMERICAN DESERTA

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