Dichotomy 6: Drawing and Architecture
This volume of Dichotomy is the first as an annual review, and we therefore chose a theme that has to do with the beginning of things. Drawing is fundamental in nature, yet broad in scope. We have conceived of this issue as being a primer of sorts to encourage subsequent studies in to the purpose and meaning of drawing.
James Timberlake with George Dodds: LEARNING FROM ARCHITECTURAL DRAWING
William Hubbard: THE CRITICAL SPIRIT IN BEAUX-ARTS TECHNIQUE
Mark Duluk: AWARENESS THROUGH REALIST PAINTING
Brad Edgerly: THE SKETCHES OF ROBERT SWAIN PEABODY
Charles A. Blessing: THE IMAGE OF ROME
Duncan R. Stuart: A HEXAHEDRAL VIEW
Douglas Cooper: DRAWINGS AS SUBSTITUTE PLACES
Jerzy Rozenburg: CE N’EST PAS LA COLLE
William Hubbard: THE CRITICAL SPIRIT IN BEAUX-ARTS TECHNIQUE
Mark Duluk: AWARENESS THROUGH REALIST PAINTING
Brad Edgerly: THE SKETCHES OF ROBERT SWAIN PEABODY
Charles A. Blessing: THE IMAGE OF ROME
Duncan R. Stuart: A HEXAHEDRAL VIEW
Douglas Cooper: DRAWINGS AS SUBSTITUTE PLACES
Jerzy Rozenburg: CE N’EST PAS LA COLLE
Editor: Mark Duluk
Copy Editor: Toni Mueller
Assistant Editors: George Dodds, Tricia Meehan, Michael Paul
